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In
the interest of conservative scrolling and reduced boredom, I have
decided to omit the bulk of past newsletter content and leave you
with the fun links!
September
2001, stopped doing links
August
2001
July
2001
June
2001, no links
May
2001
April
2001
March
2001
February
2001
January
2001
December
2000
November
2000
And
now presenting: The past's Highly Subjective Website Listings. Each
month I shared with you a few of the more interesting places I visited
on the web. Most are not stamp related, as I'm assuming you all
know places with a gazillion stamping links; these sites are an
adventure. All will open in a new window so when you're done you
are right back here!
August
2001
Artist's
pages seemed to fill my month of surfing again, so here's a sampling:
1.
Kevin
Nakagawa. Kevin is the owner of Stampscapes, a rubber
stamp company located in California. His collection of images, which
he personally draws, are wonderful landscape stamps that work seamlessly
together. I have always loved his images and last year we traded
some rubber. A few weeks ago Kevin emailed me this link to show
me what he'd been up to with the stamps I'd sent him. I was blown
away! Our images worked wonderfully together and I'm excited to
share this very cool stamped "story" with you.
2.
Bradford
Brenner. An accomplished painter living in San Diego,
CA, Bradford's work was great fun to view on his well laid out website.
Work was divided into subject categories, my favorite being "contemporary",
and I was impressed with the number of works represented within
each category. His use of paints tactile quality engaged me, particularly
in viewing his portraits, in which the paint itself seemed to create
the emotions of the sitter.
3.
Michael
Bullas. This site is wonderful! Those who like mixed
media will especially enjoy the egg series. Viewing the artists
sketchbooks was an interesting way for him to let the viewer in
on his world a bit more. I really liked the archives section for
the overview it gave. Michael's use of the diptych to explore seemingly
unrelated subjects works well and the visual use of space that the
rigid line creates is an interesting element of the work.
4.
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